The left hand fingers continue moving together normally. Ghosting requires the bow to be drawn across only one string at a time. This will improve tone, intonation and fluency and freedom of execution. Another practice method is to ghost each part. While doing this, generate the upward shifts with a small clockwise arm movement and the downward shifts with a small anti-clockwise movement which will pull the fingers.Ģ. Then boxes 2-3 on a down bow and boxes 3-2 on an up bow etc. Practice thirds thus: slur the thirds from boxes 1-2 on a down bow, then boxes 2-1 on an up bow.
#F MELODIC MINOR SCALES CELLO HOW TO#
Two examples of how to effectively practise thirds. This should result in an even tone and ease of execution. It is also important to concentrate on achieving a controlled movement from the right arm, wrist and fingers when changing strings. Using the same fingers for adjacent chords should give a seamless legato feel to the scale. Aim to lead the shifts from your left arm, and only use the minimum amount of necessary finger pressure. Relaxation of the left thumb is of paramount importance when sliding in and out of an extension. It will improve aural awareness, and will help the student build up strength and flexibility in the left hand fingers. The practicing of thirds is a vital element in attaining an advanced technique on cello. 5 // 7 F Major and Melodic Minor in Thirds
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